Show Details
Jesus Christ Superstar
You must be logged in to rate this show.
Sign up now to get an account.
0
0

Jesus Christ Superstar

Mar 22, 2012 - Jul 01, 2012
PLAYING @
Neil Simon Theatre
250 W 52nd St
New York, NY 10019
PUBLIC TRANSPORTATION
By Subway: 1, C, E to 50th Street
Show Description:

Music

Andrew Lloyd Webber

Lyrics

Tim Rice

Book

Tim Rice

Director

Des McAnuff

Choreography

Lisa Shriver

TDF MEMBER TICKETS:
NOT AVAILABLE FOR THIS SHOW
FULL-PRICE TICKETS
$62.00 - $142.00
prices subject to change
Buy Tickets

ADDITIONAL INFO

Listed at TKTS: Frequently
Age Guidance: 16

ACCESSIBILITY INFO

Wheelchairs
One location at extreme side of orchestra. Patron purchases aisle seat and adjacent seat. Transfer optional.
Seating
Orchestra on ground level. Mezzanine and lounges reached only by stairs.Seats 1,334.
Elevator\Escalator
None.
Parking
Valet parking garage: Broadway & 52nd St.
Curb Ramps
SW corner of 52nd St. & Broadway; SE corner of 52nd Street & 8th Ave.
Entrance
Double doors in series: 1st set (each 29.5") to outer lobby; slope down to 2nd set (each 30") to inner lobby. Incline (1:10) to orchestra level.
Box Office
Outer lobby. Counter 46.5".
Restroom
Unisex: Orchestra level.
Water Fountain
Lower lounge, in restrooms.
Telephone
Lower lounge.
Infrared Listening System
Infrared. Occasional sign language interpreted performances.
Visual
None.

VIDEOS

REVIEWS

The production details all work here: Scruffy-looking Apostles climb around an industrial set, the costumes mix traditional and modern garb, and Lisa Shriver's hip-hop choreography reflects the propulsive music. A rolling LED scroll - not unlike what you'd find outside the Fox News building - is used throughout the production to indicate time and place.

- Matt Windman, amNew York
CONTINUE READING
The new revival of Superstar, staged by Des McAnuff to much acclaim last summer at the Stratford Shakespeare Festival in Canada, is a knockout.Visually, it has a sober, industrial look, with a set made up of rolling metal staircases, bleacher seats and catwalks (borrowed, it looks like, from Newsies down the block), and stock-ticker-like LED displays, which keep track of the time. Musically andemotionally, however, the production pulls out all the stops. 

- Richard Zoglin, Time
CONTINUE READING