Show Details
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Mar 07, 2013 - Jun 30, 2013
Running time: 2:00
Vivian Beaumont Theater
150 W 65th St
New York, NY 10023
By Bus: Five buses stop near the theatre. Take the M5, M7, M11, M66 or M104.
By Subway: 1 to 66th Street, walk south to 65th Street, west to theatre.
Show Description:


Holland Taylor


Benjamin Endsley Klein

Written By

Holland Taylor

$75.00 - $125.00
prices subject to change
Buy Tickets


Listed at TKTS: Frequently
Age Guidance: 16


Wheelchair access is available from the street-level entrance via a manned elevator located to the right of the large mural. Orchestra entrance is behind Row O which is the only row accessible to people using wheelchairs. Mezzanine is called Loge at this theater. Due to structural limitations, this location is not accessible.
There are approximately 1-2 steps down per row to all Orchestra rows below Row O, except Row P, which is 1 step up. Mezzanine is located up 2 flights of stairs, 30 steps. Entrance is behind Row E and there are approximately 1-2 steps down per row to reach all other Loge seats. Seats 1,047.
Designated accessible parking spaces are located in the Yellow Section of the Lincoln Center Parking Garage. This area is accessible from any garage entrance or directly from West 63rd Street and Amsterdam Avenue by making a reservation. Accessible parking spaces can be reserved in advance by calling CenterCharge at 212.721.6500 or TTY 212.957.1709 (10:00 am-9:00 pm); disable parking permits and/or sticker must be displayed. There is a $5 service charge for advance reservations.
Enter past Fountain Plaza and Avery Fisher Hall. Double doors (each 39") at level entrance, followed by 14 steps to main lobby. Additional 7 steps down to box office. Alternate entrance: Concourse level (65th St.) 12 steps up to Box Office lobby and 7 additional steps up to main lobby. Wheelchair lift from Concourse level to Box Office level. Manned elevator from Concourse level to the Beaumont lobby and orchestra level. Use Concourse level lobby entrance at 65th St. between Broadway & Amsterdam
Box Office
From Plaza level and main entrance of Beaumont Theater- 21 steps. From Concourse- Three doors (each 43") followed by 12 steps. Wheelchair access to the Box Office is available from the street-level entrance on 65th Street. Enter through the glass doors in front of the large curved mural & use the wheelchair lift on the left. The doorbell next to the lift will call a security guard to assist you. The Beaumont lobby and orchestra level is accessible via ramp located to the right of the box office.
Womens: Theater level. Door 33.75". Stall door 34.5". Commode 15.25" Mens: Theater level. Door 48". Commode 19" Urinal 15.5".
Water Fountain
Theater level. Near Womens and Mens restrooms. Cups not available.
Assisted Listening System
The Beaumont is now equipped with an Induction Hearing Loop for state-of-the-art assistive listening. If your hearing aid does not have a T-coil, headphones are also available from the concessions bar in the lobby. Driver's license or ID with printed address required.
Visual Assistance
Low vision seating is regularly available by calling Telecharge Access Services at (212) 239-6222 or by visiting the Box Office.



To put it as the plain-talking Richards might, this one-dynamo show — Ms. Taylor is the lone cast member — is neither a shapely work of drama nor a deeply probing character study. But admirers of Richards probably won’t give a darn...In a Broadway season sadly deficient, at this late juncture, in impressive leading performances from women (not that notable women’s roles have been thick on the ground), Ms. Taylor’s lively, funny, humane Ann Richards looks mighty formidable.

-Charles Isherwood, The New York Times

The estimable Holland Taylor has not simply found the role of her career in former Texas governor Ann Richards; she’s written it as well, after doing impressively extensive research...Taylor’s witty, sharp-eyed script is sufficiently compelling to serve for this entertaining solo show at Lincoln Center’s Vivian Beaumont Theater. Ann is a large enough character to fill the Beaumont’s vastness, and Taylor lays her out there, warts and all, with relish and consummate skill.

-Erik Haagensen, Backstage