Show Details
Three Tall Women
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Three Tall Women

Dec 14, 2017 - Jun 24, 2018
Running time: 1:50
John Golden Theatre
252 W 45th St
New York, NY 10036
By Subway: 1, 2, 3, 7, S, N, R, W, Q, A, C, E to 42nd St/Times Square.
By Bus: Take the M7, M20, or M104 bus.
Show Description:


Joe Mantello

Written By

Edward Albee

Listed at TKTS:
See TKTS Live
$49.00 - $149.00
prices subject to change
Buy Tickets


Audience Advisory
NO Late Seating
Age Guidance: 16
Show Notes
No Intermission


Four ADA compliant viewing locations with companion seating. Transfer optional.
Orchestra on ground level. Lower lounge, front and rear mezzanine reached only by stairs.
There are no elevators or escalators at this theatre.
Valet parking lot: North side of street between Broadway & 8th Ave. Vans enter on 46th St. Valet parking garage: South side of 45th St.(east of Shubert Alley) between Broadway & 8th Ave. No vans.
Curb Ramps
(2.5" lip) SW corner of 45th St. & Broadway; NW corner 45th St. & Broadway.
Double doors in series: 1st set (each 28.5") has one pair of automatic doors from 45th St. to Ticket Lobby with push-button control, incline up to 2nd set (each 28", attended by ushers) to Orchestra.
Box Office
Ticket lobby. Counters 43". Accessible pass-through with writing shelf at 32". Assistance available.
Womens and Mens: Lower lounge. Down nineteen steps with continuous handrails. Wheelchair accessible restroom off premises. Assistance available.
Water Fountain
Lower lounge, in restrooms.
Lower lounge. Coin slot at 54". Cord 29". Volume control. TTY, shelf and electric outlet.
Assisted Listening System
Reservations are not necessary. Drivers license or ID with printed address required as a deposit. Please call: (212) 582-7678 to reserve in advance.
Visual Assistance
Low vision seats available for puchase in person, online, or over the phone.
Folding Armrests
Nine row-end seats with folding armrests.



And yet, as performed by three sterling actors of three generations — Glenda Jackson, Laurie Metcalf and Alison Pill Albee’s biting analysis of the dark undertow of human experience, the gradual awakening to the knowledge that life’s progress does not necessarily lead to serene contentment, has a bracing power that stiffens your spine, even as you blink away tears. CONTINUE READING THE BROADWAY NEWS REVIEW
This lean, transfixing, 1994 Pulitzer Prize-winning drama essentially restarted the career of Edward Albee, who had experienced a long string of critical and commercial flops in the three decades since “Who’s Afraid of Virginia Woolf?” The play is receiving its first Broadway production under the tight direction of Joe Mantello. All things considered, this is probably the best revival of an Albee play since Who’s Afraid of Virginia Woolf?with Kathleen Turner and Bill Irwin in 2005. CONTINUE READING THE AM NEWYORK REVIEW
Her jaw thrust forward like a prow, her elfin eyes belying her regal bearing, her wide-screen mouth wrapping itself around those slashing, implacable consonants — they’re all exactly as you remember them and want them to be. Or if you’ve never experienced them, welcome to the pleasure. Either way, Glenda Jackson is back; even better, she’s back in a role that’s big enough to need her. CONTINUE READING THE NEW YORK TIMES REVIEW


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Apr 02, 2018

Tony nominee Alison Pill on the prescience of Edward Albee's 27-year-old play

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