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Why the list of Young Master winners at the TDF/Irene Sharaff Awards reads like a who's who of the industry --- Where do you look to find the next big name in theatrical costume design? For the past quarter century, the winners of the Young Master Award at the annual TDF/Irene Sharaff Awards have been a great predictor. Named for legendary costume...

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Giving 'Alice in Wonderland' an NC-17 Makeover

By MATTHEW WEXLER

Thursday, April 11, 2019 • Design • 1 comment Share This

Thu Apr 11, 2019 • Design • 1 comment Share This

Company XIV's resident designer on his sexy neo-baroque aesthetics for Queen of Hearts --- Lewis Carroll's 1865 novel Alice's Adventures in Wonderland is constantly being reimagined for the stage, from big-budget musicals to plucky kids' shows, audacious ballets to a an immersive trip down the rabbit hole. But Company XIV's Queen of Hearts may be...

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5 Theatres You Need to Know: Women's Theatre Companies in NYC

By CAREY PURCELL

Tuesday, April 09, 2019 • 5 Theatres to Know • 0 comments Share This

Tue Apr 9, 2019 • 5 Theatres to Know • 0 comments Share This

Where to see female artists and women's stories on stage --- According to the Broadway League, women make up 66% of Broadway audiences, and we tend to be the overwhelming majority of theatregoers wherever shows are being performed. However, when you look beyond the house, our representation plummets. Although the number of professionally produced...

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She's the Secret Ingredient in Three Hit Plays

By BILLY MCENTEE

Monday, April 08, 2019 • Broadway • 0 comments Share This

Mon Apr 8, 2019 • Broadway • 0 comments Share This

How dramaturg Sarah Lunnie helped birth What the Constitution Means to Me, Mrs. Murray's Menagerie and Hillary and Clinton --- One of the most vital roles in new play development is also the most inscrutable: the oft-misunderstood dramaturg. But Sarah Lunnie is happy to demystify what she does. "I think about my role as that of a collaborative editor,"...

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Last Time She Was on Broadway She Made History. This Time She's Stopping the Show.

By RAVEN SNOOK

Friday, April 05, 2019 • Broadway • 0 comments Share This

Fri Apr 5, 2019 • Broadway • 0 comments Share This

Ali Stroker stars as Ado Annie in a bold new take on Oklahoma! --- The morning after Ali Stroker performed "I Cain't Say No" on The Tonight Show Starring Jimmy Fallon, she woke up to thousands of new Instagram followers. No wonder: Belting out her character Ado Annie's sexy signature solo from Oklahoma!, currently running at Broadway's Circle in the...

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Celebrating the Past and the Future of the Dance Theatre of Harlem

By SUSAN REITER

Thursday, April 04, 2019 • Dance • 0 comments Share This

Thu Apr 4, 2019 • Dance • 0 comments Share This

How the venerable troupe's 50th anniversary honors its history while looking ahead --- Reaching a 50th anniversary is a huge milestone for any American dance company. But for the Dance Theatre of Harlem, its half-century celebration at City Center (April 10-13) represents an against-the-odds achievement as one of the first and most lauded black ballet...

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Tony Yazbeck Is Ready to Start the Revolution

By RAVEN SNOOK

Wednesday, April 03, 2019 • Acting • 0 comments Share This

Wed Apr 3, 2019 • Acting • 0 comments Share This

The Tony nominee is all fired up in Classic Stage Company's revival of the agitprop musical The Cradle Will Rock --- Ever since Tony Yazbeck made his Broadway debut at age 11 as a tapping newsboy in the 1989 revival of Gypsy, he's been lauded for his dancing. Certainly his major roles, notably Al in A Chorus Line, Tulsa in the 2008 revival of Gypsy...

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This Play Will Make You Laugh… or Maybe Scream or Cry

By REGINA ROBBINS

Monday, April 01, 2019 • Playwriting • 1 comment Share This

Mon Apr 1, 2019 • Playwriting • 1 comment Share This

Why Do You Feel Anger? sparks an array of reactions --- When Do You Feel Anger? had its world premiere at the Humana Festival of New American Plays in Louisville, Kentucky last year, it elicited intense yet mixed emotions. But playwright Mara Nelson-Greenberg and director Margot Bordelon always figured that would be the case. A tonally complex one-act...

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