TDF
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How Do You Direct the End of “Jesus Christ Superstar?”
By MARK BLANKENSHIP
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Rewriting a Musical He Stars In
By MARK BLANKENSHIP
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When off-Off Broadway theatres unite
By MARK BLANKENSHIP
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Staging Your Family’s Dark Secret
By LONNIE FIRESTONE
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The Path to Broadway: Bob Crowley and “Once”
By MARK BLANKENSHIP
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How “Tribes” Communicates
By ERIC GRODE
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Designing “Carrie’s” World
Before it even begins, the musical Carrie emanates dread. The set of MCC’s revival, now at the Lucille Lortel, suggests an empty, decrepit theatre. There are stains on the walls and floor, and climbing rungs on the back wall recall an escape path from a sewer. But there’s obviously life in the darkness: Nooks and crannies are filled with flickering candles, suggesting someone was there to light th
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The Art and Science of “THROB”
By EMERI FETZER
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Building Character: Finn Wittrock
By LINDA BUCHWALD