
Show Finder
An American in Paris
Palace Theatre
160 West 47th Street, New York, NY 10036The romantic story of a young American soldier, a beautiful French girl and an indomitable European city, each yearning for a new beginning in the aftermath of war, is the stuff of Broadway dreams.
Highly acclaimed choreographer CHRISTOPHER WHEELDON directs a remarkable cast of singers, actors and dancers as they bring the magic and romance of Paris and the timeless songs of GEORGE AND IRA GERSHWIN into perfect harmony. AN AMERICAN IN PARIS also features a book from Tony Award® and Pulitzer Prize nominee, CRAIG LUCAS, sets and costumes by six-time Tony® winner BOB CROWLEY and lighting by three-time Tony® winner NATASHA KATZ.
PERFORMANCE SCHEDULE:
TUESDAY & THURSDAY @ 7 PM
WEDNESDAY, FRIDAY & SATURDAY @ 8 PM
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM
TDF Tickets Offers:
TDF Member tickets:
Not currently available for this show
Listed at 
Never
Full-price tickets:
$57.00 - $147.00
Lottery & Rush
A very limited amount of general rush tickets for performances on the same day will be available for purchase exclusively at the box office.
Rush tickets are $32 each including a facility fee, are limited to two per person, and are subject to the availability of each particular day.
A limited number of $20 tickets will be available through the lottery, which will open at 8am for matinees and 10am for evening performances, and will remain open until 11am/3pm when winners are drawn. Winners, notified by e-mail within minutes upon the drawing, will have 60 minutes to pay for their tickets with a credit card online and can pick up the tickets at the Palace Theatre box office 30 minutes prior to showtime. Photo ID is required for pickup and seat locations awarded by the lottery are subject to availability.
Video
Reviews
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The city of light is ablaze with movement in the rhapsodic new stage adaptation of “An American in Paris” that opened at the Palace Theater on Sunday, directed and choreographed by Christopher Wheeldon, a gifted luminary of the ballet world. This gorgeously danced — and just plain gorgeous — production pays loving tribute to the 1951 movie, to the marriage of music and movement, and to cherished notions about romance that have been a defining element of the American musical theater practically since its inception. Just about everything in this happily dance-drunk show moves with a spring in its step, as if the newly liberated Paris afterWorld War II were an enchanted place in which the laws of gravity no longer applied. Even the elegant buildings on the grand boulevards appear to take flight.
-----New York Times -
Main man Wheeldon (associate choreographer with the Royal Ballet, but making a triumphant Broadway debut as a director-choreographer here) has been equally meticulous about casting the rest of the versatile company. This is one of the most ballet-centric dance shows ever seen on Broadway. The character of Lise has been re-imagined as a professional ballerina, so she and the sizable ensemble have a rationale for being in pointe shoes for much of the show — except when they’re in jazz or tap shoes. That alone puts heavy demands on the company, but their proficiency as actors and singers is what defines them as triple-threat Broadway dancers and worth their weight in gold.
----Variety -
Wheeldon and company’s larger achievement is to confer on “An American in Paris” a contemporary freshness, to convey to Broadway audiences how the rigor of classical dance can be adapted to the musical form in fuller and ever more invigorating ways. The conjoining of these worlds on Broadway makes for one very fortunate collision.
-------Washington Post -
The city of light is ablaze with movement in the rhapsodic new stage adaptation of “An American in Paris” that opened at the Palace Theater on Sunday, directed and choreographed by Christopher Wheeldon, a gifted luminary of the ballet world. This gorgeously danced — and just plain gorgeous — production pays loving tribute to the 1951 movie, to the marriage of music and movement, and to cherished notions about romance that have been a defining element of the American musical theater practically since its inception. Just about everything in this happily dance-drunk show moves with a spring in its step, as if the newly liberated Paris afterWorld War II were an enchanted place in which the laws of gravity no longer applied. Even the elegant buildings on the grand boulevards appear to take flight.
-----New York Times
Accessibility
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Wheelchair Info
Wheelchair locations are available in the orchestra, rear mezzanine, and balcony (pending availability). You may purchase one wheelchair and three companion seats per order if available. Theatre representatives are available to meet patrons with disabilities in the lobby of the building to escort them to designated wheelchair accessible areas. -
Elevator\Escalator
A passenger elevator connects all levels of the Palace Theatre. -
Curb Ramps
NE corner of 46th St. & 7th Ave.; SE corner of 47th St. & 7th Ave. -
Restroom
Barrier-free restrooms are located on floors 2 through 6 of the theatre. A passenger elevator connects all levels of the Palace Theatre. -
Assisted Listening System
Headsets for sound augmentation are available at the theatre, free of charge. Photo identification is required as a deposit. -
Visual Assistance
Low vision/deaf and hard of hearing accessible seats are available in the Orchestra seats C1, C3, C2, C4, D1, D3, D2, D4, E1, E3, E2, E4, F1, F3, F2, F4, G1, G3, G5, G2, G4, H1, H3, H5, H2, and H4. -
Folding Armrests
For guests with limited mobility, there are seats available with folding armrests (“Aisle transfer Seats”) in these locations: Orchestra Q101, S101, S102, U101, U102, U127, U128, W123, W126; Mezzanine O101, O102; Balcony H1, H19, H24.










