
Show Finder
Di Goldene Kale (The Golden Bride)
First Preview: Nov 4, 2015
Opening Date: Jul 4, 2016
Closing Date: Aug 28, 2016
Running Time: 02:15
Playing @
Museum of Jewish Heritage
36 Battery Place, New York, NY 10280
A beautiful young woman named Goldele, who was abandoned as a child, receives an unexpected inheritance and sets off on a journey across the seas to claim her estate, find her mother and offer her hand to the man who can help.
The first production in over 70 years, don’t miss this fully-restored charming Golden Age romantic comedy, complete with a marvelous score by music virtuoso Joseph Rumshinsky and performed by a cast of 20 accompanied by a 14-piece orchestra.
In Yiddish with English and Russian supertitles.
PERFORMANCE SCHEDULE:
WEDNESDAY @ 2 & 7:30 PM
THURSDAY @ 2 PM
SUNDAY @ 2 & 6 PM
MONDAY @ 7:30 PM
The first production in over 70 years, don’t miss this fully-restored charming Golden Age romantic comedy, complete with a marvelous score by music virtuoso Joseph Rumshinsky and performed by a cast of 20 accompanied by a 14-piece orchestra.
In Yiddish with English and Russian supertitles.
PERFORMANCE SCHEDULE:
WEDNESDAY @ 2 & 7:30 PM
THURSDAY @ 2 PM
SUNDAY @ 2 & 6 PM
MONDAY @ 7:30 PM
Show Notes: 1 Intermission
Age Guidance: 13
Audience Advisory: In Yiddish with English and Russian supertitles
TDF Tickets Offers:
TDF Member tickets:
Not currently available for this show
Listed at 
Never
Full-price tickets:
$30.00 - $40.00
Video
Reviews
-
Though the script and score are painstaking recreations of a once-popular Yiddish musical comedy, last staged in New York City in 1948, this muscular production is no museum piece: Bryna Wasserman and Motl Didner direct a buoyant, full-voiced cast of twenty, and Zalmen Mlotek’s fourteen-piece orchestra shifts effortlessly between Old World melancholia and New World swing
-----The New Yorker -
Though the script and score are painstaking recreations of a once-popular Yiddish musical comedy, last staged in New York City in 1948, this muscular production is no museum piece: Bryna Wasserman and Motl Didner direct a buoyant, full-voiced cast of twenty, and Zalmen Mlotek’s fourteen-piece orchestra shifts effortlessly between Old World melancholia and New World swing
-----The New Yorker -
Though the script and score are painstaking recreations of a once-popular Yiddish musical comedy, last staged in New York City in 1948, this muscular production is no museum piece: Bryna Wasserman and Motl Didner direct a buoyant, full-voiced cast of twenty, and Zalmen Mlotek’s fourteen-piece orchestra shifts effortlessly between Old World melancholia and New World swing
-----The New Yorker -
Though the script and score are painstaking recreations of a once-popular Yiddish musical comedy, last staged in New York City in 1948, this muscular production is no museum piece: Bryna Wasserman and Motl Didner direct a buoyant, full-voiced cast of twenty, and Zalmen Mlotek’s fourteen-piece orchestra shifts effortlessly between Old World melancholia and New World swing
-----The New Yorker











