Baritone Tyler Duncan headlines an evening inspired by a 1932 “spectacle-concert” commissioned by arts patrons Vicomte and Vicomtesse de Noailles.
In a 21st century reimagining of that event, the program includes two works for voice and an instrumental group: Francis Poulenc's boisterous Le bal masque´, and a new composition by Mark Applebaum, drawing text from poet K. Silem Mohammad's anagrams of Shakespeare sonnets.
Part of a concert series honoring renowned arts patrons from early 20th century Paris.
Program
F. Poulenc: Le bal masque´
Mark Applebaum: Control Freak 2
Tyler Duncan, baritone
James Austin Smith, oboe
Todd Palmer, clarinet
Adrian Morejon, bassoon
Thomas Bergeron, trumpet
Ian Rosenbaum, percussion
Tessa Lark, violin/viola
Jay Campbell, cello
Steven Beck, piano
PERFORMANCE SCHEDULE:
WEDNESDAY & FRIDAY @ 8 PM
Show Finder
De Noailles' Bal Masque
First Preview: Nov 7, 2015
Opening Date: Dec 2, 2015
Closing Date: Dec 4, 2015
Running Time: 01:05
Playing @
Baryshnikov Arts
450 West 37th Street , New York City, NY 10018
Show Notes: No Intermission
Age Guidance: 13
TDF Tickets Offers:
TDF Member tickets:
Not currently available for this show
Listed at 
Never
Full-price tickets:
$25.00 - $25.00
Video
Accessibility
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Box Office
For questions or requests related to accessibility, including assistance with purchasing tickets, please call the box office at (646) 731-3226 or email boxoffice@baryshnikovarts.org. -
Curb Ramps
There is a step up from the street to the curb. -
Restroom
Accessible restrooms are available on Floors 3, 4 and 6. -
Entrance
Street level entrance, reception personnel are staffed in the lobby to assist with questions upon entrance. -
Elevator/Escalator
All studios reachable by elevator. -
Parking
Enterprise Parking (453 West 37th Street), Icon Parking (404 West 37th Street) -
Telephone
None on premises -
Wheelchair Info
Wheelchair accessible -
Seating
Accessible seats are available for each performance and can be purchased directly on our website. Jerome Robbins Theater: Seats located in row A of the Orchestra do not require the use of stairs. Seats located in the Balcony require use of stairs. Audience members sit in padded, connected seats. | Howard Gilman Performance Space: Seats do not require use of stairs. Audience members sit in freestanding, padded seats.
