
Show Finder
Waitress
Opening Date: Sep 2, 2021
Closing Date: Dec 20, 2021
Running Time: 02:20
Playing @
Ethel Barrymore Theatre
243 W 47th St, New York, NY 10036
Featuring music and lyrics by Grammy® winner Sara Bareilles ("Love Song", "Brave"), Waitress the musical is returning to Broadway September 2 starring Bareilles herself through October 17. The story of Jenna, a waitress and expert pie-maker who dreams of a way out of her small town and rocky marriage, Waitress features a book by acclaimed screenwriter Jessie Nelson (I Am Sam) and direction by Tony Award winner Diane Paulus (Jagged Little Pill, Pippin).
COVID Safety Information:
Under the policy, guests age 12 and older will need to be Fully Vaccinated with an FDA or WHO authorized vaccine AND present a government-issued photo ID such as a driver’s license or passport. (Guests 12-18 may use a government-issued ID or school ID - no photo required.) “Fully vaccinated” means on the date of the performance a guest is at least 14 days after their second dose of a two dose COVID-19 vaccine OR at least 14 days after their single dose of an approved single dose COVID-19 vaccine.
Children ages 5-11 may enter the theatre only when (1) accompanied by an adult who complies with the theatre’s vaccination entry requirements, and (2) has proof of at least one dose of an FDA or WHO approved vaccine.
For international guests TWO doses of any “mix and match” combination of an FDA or WHO approved COVID-19 vaccine are acceptable.
Guests under 5, when accompanied by a fully vaccinated adult may enter the theatre with ONE of the following:
A negative COVID-19 PCR test performed by a medical provider within 72 hours of the performance start time. The test results must clearly show the date and time of the test; OR
A negative COVID-19 rapid antigen test taken within 6 hours of the performance start time. The test results must clearly show the date and time of the test.
Theatregoers may find more information on mask and vaccine policies at Broadway.org. For more information, please visit your show’s official website or contact your point-of-purchase.
COVID Safety Information:
Under the policy, guests age 12 and older will need to be Fully Vaccinated with an FDA or WHO authorized vaccine AND present a government-issued photo ID such as a driver’s license or passport. (Guests 12-18 may use a government-issued ID or school ID - no photo required.) “Fully vaccinated” means on the date of the performance a guest is at least 14 days after their second dose of a two dose COVID-19 vaccine OR at least 14 days after their single dose of an approved single dose COVID-19 vaccine.
Children ages 5-11 may enter the theatre only when (1) accompanied by an adult who complies with the theatre’s vaccination entry requirements, and (2) has proof of at least one dose of an FDA or WHO approved vaccine.
For international guests TWO doses of any “mix and match” combination of an FDA or WHO approved COVID-19 vaccine are acceptable.
Guests under 5, when accompanied by a fully vaccinated adult may enter the theatre with ONE of the following:
A negative COVID-19 PCR test performed by a medical provider within 72 hours of the performance start time. The test results must clearly show the date and time of the test; OR
A negative COVID-19 rapid antigen test taken within 6 hours of the performance start time. The test results must clearly show the date and time of the test.
Theatregoers may find more information on mask and vaccine policies at Broadway.org. For more information, please visit your show’s official website or contact your point-of-purchase.
Show Notes: 1 Intermission
Age Guidance: 13
Performance Schedule
TUESDAY -THURSDAY @ 7 PM
FRIDAY & SATURDAY @ 8 PM
SATURDAY & SUNDAY @ 2 PM
Music
- Sara Bareilles
Lyrics
- Sara Bareilles
Book
- Jessie Nelson
Director
- Diane Paulus
TDF Tickets Offers:
TDF Member tickets:
Not currently available for this show
Listed at 
Never
Full-price tickets:
$79.00 - $327.00
Video
Reviews
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First came Cyndi Lauper and “Kinky Boots.” Now Sara Bareilles and “Waitress” look ready to double down. Women dismissed for writing fluffy pop hits — “Love Song” in Bareilles’ case — have succeeded where the “serious” likes of U2, Paul Simon, Randy Newman and Sting failed: They’re rocking Broadway. Excuse us while we savor the irony, which is as sweet as the freshly baked pies on sale in the “Waitress” lobby.
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“She is gone, but she used to be mine.” I don’t think anyone, hearing that lyric from Waitress, could escape feeling a rush of sadness and exhilaration. Sadness at the line’s multiple meanings; exhilaration in the velvet, heartfelt beauty Jessie Mueller imbues “She Used To Be Mine” with, in the breath-bating 11 o’clock number from this gem of a show. Waitress, which opened tonight at the Brooks Atkinson Theatre, is the rare musical adaptation that’s as much of a sweetheart as its source, Adrienne Shelly’s 2007 independent film.
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“Waitress” does a swell job illustrating the shades of gray in human relationships. There are people here holding out for pie in the sky: Gehling’s Dr. Pomatter wants Jenna, but there is the matter of his wife. Becky and Cal are each doing things we could consider morally ambiguous, but their deeds somehow feel forgivable. Jessie Nelson’s book is sharp: “The fuller the condiments, the fuller the experience,” Dawn reminds her boss, in one of her sassier moments. “Waitress” is more than capably directed by Diane Paulus, who started the production cooking last year at the American Repertory Theater, outside Boston. The pie is ready. Leave room for second helpings.
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First came Cyndi Lauper and “Kinky Boots.” Now Sara Bareilles and “Waitress” look ready to double down. Women dismissed for writing fluffy pop hits — “Love Song” in Bareilles’ case — have succeeded where the “serious” likes of U2, Paul Simon, Randy Newman and Sting failed: They’re rocking Broadway. Excuse us while we savor the irony, which is as sweet as the freshly baked pies on sale in the “Waitress” lobby.
Accessibility
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Box Office
There are two steps into the theatre. Waiter service for wheelchair patrons is available. Theatre is not completely accessible. -
Parking
Central Parking System, 257 West 47th St, (Broadway and 8th Ave); (212) 262-9778 225 West 49th St, 5 pm to 5 am. Port Parking Corporation, 235 West 48th St, (Broadway and 8th Ave); (212) 245-9421 -
Curb Ramps
NW corner of 47th St. & Broadway; NE corner of 47th St. & 8th Ave. -
Restroom
Unisex in Ticket lobby. Door 32". Stall 129" x 61.5". Commode 18". Grab bars. Another restroom is located up 2 flights of stairs. -
Seating
Seats 1,096.Orchestra on ground level. Lower lounge, front mezzanine and rear mezzanine reached only by stairs. -
Elevator\Escalator
There are no elevators or escalators at this theatre. -
Entrance
Double doors in series: 1st set (each 27.5") has one pair of automatic doors from 47th Street to ticket lobby with push button control; 2nd set (each 27", attended by ushers) to Orchestra. -
Visual Assistance
Vision seats in the front of the orchestra for purchase in person or on the phone. -
Folding Armrests
Eleven row-end seats with folding armrests. -
Water Fountain
Ticket lobby. Spout 36". -
Assisted Listening System
Infrared listening system. Reservations are not necessary. Drivers license or ID with printed address required as a deposit. Occasional sign language interpreted performances are scheduled. -
Wheelchair Info
Orchestra: Seating is accessible to all parts of the Orchestra without steps. Wheelchair seating is located in the Orchestra only. Mezzanine (second level): 3 flights of stairs up 30 steps. Please note, once on the Mezzanine level there are approximately 2 steps per row. Entrance to Mezzanine is behind row E of the Front Mezzanine. Wheelchair Seating: 11 aisle seat with folding armrest, 5 wheelchair viewing seats, 4 companion seats. -
Telephone
In lobby, accesible at 54" with utilitiy outlet












