Show Finder
Elgar's Enigma Variations
First Preview: Oct 23, 2016
Opening Date: Oct 29, 2016
Closing Date: Oct 31, 2016
Running Time: 02:00
Playing @
Richard B. Fisher PAC
Bard College, Annandale-on-Hudson, NY 12504-5000
In its second season, The Orchestra Now (TON) continues its mission to create unique concert experiences for audiences of great orchestral music of the past and present.
This performance features interludes from Benjamin Britten's opera Peter Grimes, set in the English seaside. Harold Farberman, founder and artistic director of the Bard College Conductor's Institute, conducts Gustav Mahler's impassioned and sprawling Adagio from Symphony No, 10. Elgar's Enigma Variations caught hold of the Victorian imagination on two levels: for its dedication ("to my friend pictured within"), which invited listeners to equate the work with a photograph album, and by declaring the theme an "enigma" which tapped into the Victorian obsession with puzzles and wordplay. John Belk '17 plays William Walton's mysterious Cello Concerto. Walton revised the ending after the work's premiere, but the cellist died before it could be performed.
PROGRAM:
Benjamin Britten, Four Sea Interludes from Peter Grimes
Gustav Mahler, Adagio from Symphony No. 10, Harold Farberman, conductor
William Walton, Cello Concerto
Edward Elgar, Enigma Variations
Conducted by Leon Botstein, music director
PERFORMANCE SCHEDULE:
SATURDAY, COTOBER 29th @ 8 PM
SUNDAY, OCTOBER 30th @ 2 PM
This performance features interludes from Benjamin Britten's opera Peter Grimes, set in the English seaside. Harold Farberman, founder and artistic director of the Bard College Conductor's Institute, conducts Gustav Mahler's impassioned and sprawling Adagio from Symphony No, 10. Elgar's Enigma Variations caught hold of the Victorian imagination on two levels: for its dedication ("to my friend pictured within"), which invited listeners to equate the work with a photograph album, and by declaring the theme an "enigma" which tapped into the Victorian obsession with puzzles and wordplay. John Belk '17 plays William Walton's mysterious Cello Concerto. Walton revised the ending after the work's premiere, but the cellist died before it could be performed.
PROGRAM:
Benjamin Britten, Four Sea Interludes from Peter Grimes
Gustav Mahler, Adagio from Symphony No. 10, Harold Farberman, conductor
William Walton, Cello Concerto
Edward Elgar, Enigma Variations
Conducted by Leon Botstein, music director
PERFORMANCE SCHEDULE:
SATURDAY, COTOBER 29th @ 8 PM
SUNDAY, OCTOBER 30th @ 2 PM
Show Notes: 1 Intermission
Age Guidance: 13
TDF Tickets Offers:
TDF Member tickets:
Not currently available for this show
Listed at 
Never
Full-price tickets:
$25.00 - $35.00
Video
Accessibility
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Assisted Listening System
Sennheiser infrared assistive listening devices are available in the Sosnoff Theater and LUMA Theater. -
Elevator/Escalator
There is an elevator to all levels of the Sosnoff Theater and a wheelchair lift used to access front-row wheelchair seating. -
Parking
Reserved parking is available for drivers with disabilities. Please call 845-758-7928 in advance to let us know that you will require a spot. -
Passenger Loading Zone
Drivers of cars carrying disabled patrons are asked to drop their passengers off at the drop-off point in front of the Fisher Center. Please arrive at least one half hour prior to the performance time to ensure plenty of time to make your way into the venue -
Restroom
Restrooms in all locations are wheelchair accessible. For the additional convenience of Sosnoff Theater patrons, there is a restroom on the lower lobby for use by patrons in wheelchairs. -
Telephone
None on premises -
Wheelchair Info
Sosnoff Theater—Locations are available in all seating areas for patrons in wheelchairs and their companions. There is an elevator to all levels of the Sosnoff Theater and a wheelchair lift used to access front-row wheelchair seating. Olin Hall—Wheelchair seating is available in row P of this intimate concert hall.Spiegeltent—Locations are available in the inner ring.








