Daniel Fish’s new, untitled work offers us a radical departure from his previous text-driven work and seeks to find out what happens when the actors and text are gone and the talking stops.
Made for a very small audience, Fish ruminates on the passage of time and our perception of it. Set and light drive the undrive-able and Philip White’s score subverts expectations of aural perception.
“I was thinking about confined spaces, the space between the viewer and the screen, the space between two people, how being trapped in a space can seem liberating, the films of Chantal Akerman and something a friend of mine, long since dead, said about how every time he shouts the walls of his prison to dust, another rises up. And about what happens when the talking stops.” - Daniel Fish
Part of COIL 2017
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