Cloud 9 was Caryl Churchill’s first international hit. Some of the British playwright’s other works include Top Girls, Mad Forest, Love and Information, A Number and Serious Money. The Guardian recently wrote that Churchill “now shares with Tom Stoppard the title of Britain’s most significant living dramatist.” The dark comedy created a sensation with its world premiere in London in 1979 and its Off Broadway premiere in 1981.
The searing comedy is a parody and spoof of the Victorian Empire and its rigid attitudes, especially toward sex. There is Clive, a British functionary; his wife Betty (played by a man); their daughter Victoria (a rag doll); Clive’s friend Harry, an explorer; Mrs. Saunders, who runs about dressed in a riding habit; Clive’s son Edward, who still plays with dolls and is played by a woman; and Joshua, a native servant who knows exactly what is really going on. What really is going on is a marvelous send-up and a non-stop round-robin of sexual liaisons. All this time the natives are restless in the background.
The second act shifts to London in 1980. Except for the surviving characters, it is only twenty-five years later, and all those repressed sexual longings have evaporated, along with the Empire.
