Enter SOUND HOUSE, a “multidimensional object” inspired by the haunted sound worlds of British composer Daphne Oram, inventor of Oramics, a multi-strand sound-generating machine that preceded the synthesizer. Sound functions as experiential road map here, carving out story amid distortions of time and space as Constance Sneed, Daphne’s present-day alter ego, investigates what it is to be invisible.
by Stephanie Fleischmann directed by Debbie Saivetz
Performing:
2/20 at 7pm; 2/21 at 7pm; 2/24 at 2pm; 2/24 at 7pm;
2/25 at 2pm; 3/1 at 7pm; 3/2 at 3pm; 3/3 at 7pm; 3/4 at 2pm
At THIS IS THE COLOR DESCRIBED BY THE TiME, your very own headphones drop you inside the unconscious of avant garde writer Gertrude Stein as she pursues her everyday routine in France while World War II erupts around her, in Gertrude's constantly shifting mind, Alice B Toklas, Thornton Wilder, and Vichy official Bernard Fay flutter in and out of the frame.
conceived & directed by Lily Whitsitt created by Door 10
Performing -
2/14 at 7pm; 2/22 at 7pm; 2/23 at 3pm; 2/23 at 8pm;
2/25 at 7pm; 2/27 at 7pm; 2/28 at 7pm; 3/2 at 8pm; 3/3 at 2pm
