Gary: A Sequel to Titus Andronicus

First Preview: Mar 11, 2019

Opening Date: Mar 11, 2019

Closing Date: Jun 9, 2019

Running Time: 01:30

https://garyonbroadway.com/

Playing @

Booth Theatre

222 W 45th St, New York, NY 10036

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Three-time Tony Award® winner Nathan Lane and Tony nominee Kristine Nielsen star this season on Broadway in the world premiere of, Gary: A Sequel to Titus Andronicus, the new comedy by Pulitzer Prize finalist and MacArthur Fellow, Taylor Mac.

Directed by five-time Tony Award winner George C. Wolfe, Gary is set just after the blood-soaked conclusion of William Shakespeare’s first tragedy, Titus Andronicus.

In Gary, Taylor Mac’s singular world view intersects with Shakespeare’s first tragedy, Titus Andronicus. In Mac’s extraordinary new play, set during the fall of the Roman Empire, the years of bloody battles are over. The civil war has ended. The country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants – Lane and Nielsen – are charged with cleaning up the bodies. It’s the year 400 – but it feels like the end of the world.....

"Though it’s Nathan Lane’s name that tops the marquee and Nielsen’s that comes close behind, it’s all but impossible to imagine ‘Gary’ without Julie White’s brilliantly kooky antics." - Vulture

Broadway Play - Comedy

Show Notes: No Intermission

Age Guidance: 16

Performance Schedule

TUESDAY & THURSDAY @ 7 PM
WEDNESDAY, FRIDAY & SATURDAY @ 8 PM
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM

Written By

Taylor Mac

Director

George C. Wolfe

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Full-price tickets:

$59.00 - $169.00

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Reviews

NYT Critic's Pick -

Taylor Mac’s new play ... is the unlikeliest bird to land on Broadway in many a year. ... it is fabulous and bedraggled: a defiant and beautiful mess.... But, strange bird or not, I’m glad it’s here. Not everything perfect is true, and not everything messy isn’t."

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"Much of Gary is an outrageous mix of the grotesque and the absurd, designed to make audiences gape. ... Nathan Lane is tremendous, and Julie White is screamingly funny..."

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Gary is a farce, a piece of messy circus whose many tones and shades will likely divide audiences and critics. But there is nothing like it on Broadway, and that is to be welcomed.

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NYT Critic's Pick -

Taylor Mac’s new play ... is the unlikeliest bird to land on Broadway in many a year. ... it is fabulous and bedraggled: a defiant and beautiful mess.... But, strange bird or not, I’m glad it’s here. Not everything perfect is true, and not everything messy isn’t."

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Accessibility

Box Office

Ticket Lobby. Counter 43". Accessible pass-through with writing shelf at 32". Assistance available.
Parking

Lot: North side of streetbetween Broadway & 8th Ave. Vans enter on 46th St.Garage: East of Shubert Alley on south side of 45th St. between Broadway & 8th Ave. No vans.
Curb Ramps

(2.5" lip) SW corner of 45th St. & Broadway; NW corner of 45th St. & Broadway.
Restroom

Unisex: House left at orchestra rear crossover aisle. ADA compliant. Door 32". Stall 62"x139". Commode 18". Grab bars.
Seating

Orchestra on ground level. Mezzanine and lower lounge reached only by stairs. seats 781.
Elevator/Escalator

There are no elevators or escalators at this theatre.
Telephone

Ticket lobby. Coin slot 54". Cord length 30". Volume control. With TTY and electric outlet.
Entrance

Double doors in series:1st set (each 27") has one pair of automatic doors from Shubert Alley to Ticket Lobby with push-button control; 2nd set (each 29", attended by ushers) to inner lobby; 3rd set (one at 31.5", two at 28.5", attended by ushers) into Orchestra.
Folding Armrests

Eight row-end seats with folding armrests, ask for mobility seats when booking.
Water Fountain

Inner lobby. Spout 36".
Assisted Listening System

Reservations are not necessary. Drivers license or ID with printed address required as a deposit.
Wheelchair Info

Seating is accessible to all parts of the Orchestra without steps. Five ADA compliant viewing locations with companion seating. Transfer optional. ADA seats priced at regular orchestra and also at lowest price in the theatre.

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