Show Details
Tina: The Tina Turner Musical
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Tina: The Tina Turner Musical

Oct 08, 2021 - Open Run
Running time: 2:45
Lunt-Fontanne Theatre
205 W 46th St
New York, NY 10036
By Bus: Take the M7, M20, M50, or M104
By Subway: 1,2,3,7,S,N,R,Q,W,A,C,E to 42nd St./Times Square
Show Description:


Katori Hall - with Frank Ketelaar and Kees Prins


Phyllida Lloyd


Anthony van Laast

Listed at TKTS:
See TKTS Live
$89.00 - $169.00
prices subject to change
Buy Tickets


Audience Advisory
Adult situations & language
Age Guidance: 15
Show Notes
1 Intermission


There are wheelchair seats in the rear of the Orchestra section.
All seats require the use of stairs. Accessible tickets are available directly through the Box Office. Call (212) 575-9200 for more information.
There are no elevators or escalators at this theatre.
Lot: West of entrance.
Curb Ramps
(1" lip) NW corner of 46th St. & Broadway; NE corner of 46th St. & 8th Ave.
Double doors in series: 1st set (each 29", heavy, 1" saddle) into outer lobby; 2nd set (each 26", heavy) into orchestra.
Box Office
Outer lobby. Counter 48".
Located on the basement and mezzanine levels. Handicap accessible facility on theater level
Water Fountain
A water fountain is located in the lower lounge. Water is also available at the bar.
Assisted Listening System
Headsets for sound augmentation are available at the theatre, free of charge. Photo identification is required as a deposit. Copper Induction Loop also available.
Visual Assistance
Vision seats in the front of the orchestra for purchase in person, or on the phone.
Folding Armrests
Twelve (12) mobility seats with folding armrests are available for purchase through the box office, in person, or over the phone, plus one companion seat each.


The show rests on three pillars: the excellent production, the most galvanizing catalogue in showbiz, and Adrienne Warren. In the first case, Lloyd’s team includes sound designer Nevin Steinberg and a musical team—conductor Nicholas Skilbeck arranging and composing extra music and Ethan Popp doing the orchestrations—who make everything powerful without simply cranking the volume. The second feels undeniable; there’s so much uplift in that theater you can feel the building settle back onto its foundations after the show. And the third? Warren is doing something everybody, everywhere should try to come see CONTINUE READING THE VULTURE REVIEW
If a single voice, or a single performance, could send a Broadway musical soaring to greatness, “Tina: The Tina Turner Musical” would handily qualify as one of the best musicals to emerge in recent years. Playing the title role, Adrienne Warren, who is blessedly onstage for virtually the whole duration, gives a performance that marries electrifying vocalism, a powerful dynamism and affecting emotional agility. Warren, who created the role in the musical’s West End premiere, is simply incandescent.  CONTINUE READING THE BROADWAY NEWS REVIEW
The only miracle at this point is that the Lunt-Fontanne’s roof hasn’t taken flight to space, but still the music continues (with a sweet, shared encore with Turner). When Warren does leave the stage to deservedly rapturous applause and cheers we’re blissfully shattered. Warren looks like she could keep on belting. CONTINUE READING THE DAILY BEAST REVIEW


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