In Apollon, the renegade choreographer Florentina Holzinger combines fin de siècle freak shows with 1960s live art, offering a new perspective on the rupture between high art and entertainment culture. Through this hilarious and furious destruction of a classical narrative, Holzinger addresses the myth of the “perfect woman,” the artist herself. Five women tackle the neoliberalist cult of the body, jumping between the aesthetics of an occult fitness-studio, and a cyborg-bullfight, with a hint of Balanchine’s neoclassical ballet quartet Apollon.
Florentina Holzinger resides and works in the Netherlands. Her work sits on the boundary between performance art, choreography, ritual and stunt show. She consciously plays with the shifting of boundaries between high culture and entertainment, exploring different modes of female representation and questioning the full potential of female physicality.
