All upcoming performances postponed.
In a multi-frame assemblage of video projection, the cinematic lens, and the theatrical frame, the performers of Good Day God Damn – four dancers, an opera singer, and an ill fated director – move as an organic sentient mass through multiple atmospheres and states, exploring ideas of the cinematic thriller and extraterrestrial hope in an attempt to disassemble, rebuild, and hold onto the very notion of survival in an absurd multi-crisis reality, asking: What does it mean to get through it?
Dissonant sounds and images give way to choral moments in a darkly thrilling and dynamic disarray
