Robert Wilson.
Samuel Beckett.
Both towering figures of contemporary theater.
Now comes the theatrical event of a lifetime – Robert Wilson on stage performing Samuel Beckett’s Krapp’s Last Tape, in a production he directed and designed.
As Krapp, Wilson carries on a conversation with his own voice, recorded many years before. Bitter, ironic, funny, he finds it hard to recognize himself in the brash, romantic, confident voice of his youth. Since its premiere in 1958, Krapp’s Last Tape has fascinated audiences worldwide. Don’t miss this definitive moment of theater.
PERFORMANCE SCHEDULE:
THURSDAY & FRIDAY @ 7:30 PM
SATURDAY @ 8 PM
SUNDAY @ 3 PM
Show Finder
Krapp's Last Tape
First Preview: Mar 3, 2016
Opening Date: Mar 17, 2016
Closing Date: Mar 20, 2016
Running Time: 01:15
Playing @
Montclair State University
1 Normal Ave, Montclair, NJ 07043
Show Notes: No Intermission
Age Guidance: 16
TDF Tickets Offers:
TDF Member tickets:
Not currently available for this show
Listed at 
Never
Full-price tickets:
$20.00 - $20.00
Video
Reviews
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“In Krapp’s Last Tape, Mr. Wilson gave a tour de force performance, a rarity for this theater director, whose stark, stylized aesthetic was here leavened and complemented by a style of movement that humorously recalled Buster Keaton and Charlie Chaplin.”
– Roslyn Sulcas, The New York Times -
“In Krapp’s Last Tape, Mr. Wilson gave a tour de force performance, a rarity for this theater director, whose stark, stylized aesthetic was here leavened and complemented by a style of movement that humorously recalled Buster Keaton and Charlie Chaplin.”
– Roslyn Sulcas, The New York Times -
“In Krapp’s Last Tape, Mr. Wilson gave a tour de force performance, a rarity for this theater director, whose stark, stylized aesthetic was here leavened and complemented by a style of movement that humorously recalled Buster Keaton and Charlie Chaplin.”
– Roslyn Sulcas, The New York Times -
“In Krapp’s Last Tape, Mr. Wilson gave a tour de force performance, a rarity for this theater director, whose stark, stylized aesthetic was here leavened and complemented by a style of movement that humorously recalled Buster Keaton and Charlie Chaplin.”
– Roslyn Sulcas, The New York Times
