TDF
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Coming Soon on Broadway
By MARK BLANKENSHIP
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The Clothes Mock the Man
By LINDA BUCHWALD
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Dressing “Rebecca,” Part 1
By MARK BLANKENSHIP
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Learning to Act in Horton Foote’s Plays
By MARK BLANKENSHIP
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On The Fringe, All Alone
By LINDA BUCHWALD
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Is “The Flower Thief” a “Black Play?”
By MARK PEIKERT
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What Does a Prisoner Think of “Richard III?”
By MARK BLANKENSHIP
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Dance Is Not Forever, and He’ll Prove it
By EMERI FETZER
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Cutting Fosse from the Prostitute Musical
Like the show, Anna (Margaret Loesser Robinson) is a mass of contradictions: angelic and earthbound, sullied and innocent. Those qualities especially shine in “On the Farm,” during which she recounts her upbringing with abusive relatives in the country. “Anna tries her best to reassure her dad—whom she’s just met for the first time in 15 years—that he did the right thing by sending her away,”