Show Details
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Sep 04, 2015 - Jan 24, 2016
Running time: 2:05
Cort Theatre
138 W 48th St
New York, NY 10036
By Subway: F to 47-49 St./ Rockefeller Center
Show Description:
Listed at TKTS:
See TKTS Live
$32.00 - $147.00
prices subject to change
Buy Tickets


Tickets will be available for purchase in person at the theater's box office beginning at 10am Monday-Saturday (noon on Sundays) for that day's performances only. Rush tickets cost $32 with a maximum of two tickets per person. Rush tickets are subject to availability and may not be offered at all performances. Rush seating locations will be determined at the discretion of the box office. A special online ticket lottery will begin Tuesday, November 9. A limited number of tickets, priced at $32, will be available for each performance at
Age Guidance: 13
Show Notes
1 Intermission


Six ADA compliant viewing locations with companion seating. Transfer optional.
Mezzanine, balcony, and lower lounge reached only by stairs. Seats 1,083.
Valet parking garage: Next door. No vans.
Curb Ramps
SE corner 48th St. & 7th Ave; SW corner of 48th St. & 6th Ave; Driveways on either side of theater.
Double doors in series: 1st set (each 26.5") has one pair of automatic doors from 48th Street to ticket lobby with push-button control; 2nd set (each 26.5", attended by ushers) to Orchestra.
Box Office
Ticket lobby. Counter 43". Accessible pass-through with writing shelf at 32". Assistance available
Womens and Mens: Lower level. Down seventeen steps.
Water Fountain
Rear orchestra, house left. Spout 36".
Ticket lobby. Coin slot 54". Cord Length 29". With TTY and electric outlet.
Assisted Listening System
Reservations are not necessary. Drivers license or ID with printed address required as a deposit. Please call: (212) 582-7678 to reserve in advance.
Visual Assistance
Folding Armrests
Eleven row-end seats with folding armrests.



A.R. Gurney, the chronicler of sophisticated upper-middle-class angst, author of plays like The Dining Room and Love Letters, is a man gifted with uncommon insight into human motivations and frailties. So when he turns his gift to the analysis of what a dog might really be thinking and really want, it should not be surprising that the results are so rich.” 

----New York Times 
FOUR STARS !!  Broderick....perkier than he’s been lately, gets crucial voltage from Ashford and White, both endlessly inventive comedians. Ashford has the showier role, of course, dashing about in fanciful doggy couture (costumes by Ann Roth) on David Rockwell’s fairy-tale Central Park set and keeping up a sassy stream-of-consciousness. She sniffs strangers’ crotches with impunity; she butt-scoots on the carpet; she swears viciously at cats. What a joy to see Ashford unleashed.­

A measure of how terrific Sylvia is at its best is the scene where Kate, jealous over Greg’s obsession with his pet, can’t help sharing her frustrations with a friend (one of three characters portrayed by the fourth member of the cast, Robert Sella.)  Julie White is hysterical (in both senses of the word), especially terrific when she is imitating Sylvia’s behavior while describing it.  What’s remarkable is how clear and rigorous the distinction between Julie White’s imitation of Sylvia and Annaleigh Ashford’s impersonation of Sylvia – a testament to the artistry of the director and to these great actresses.

----  DC Theatre Scene


No Time to Think! You Have to Be Funny Right Now!

Oct 08, 2015

In Broadway's "Sylvia," Robert Sella leaps from character to character