Show Finder

Les Liaisons Dangereuses

First Preview: Aug 22, 2016
Opening Date: Oct 30, 2016
Closing Date: Jan 8, 2017
Running Time: 02:45
Les Liaisons Dangereuses

Share on Social Media

Playing @
Booth Theatre
222 W 45th St, New York, NY 10036
From the Tony Award®-winning producer of Red, Tony winners Janet McTeer (A Doll’s House, Mary Stuart) and Liev Schreiber (Showtime’s Ray Donovan, Glengarry Glen Ross) return to Broadway for a singular evening of multiple pleasures. 

Direct from London, McTeer reprises her role in The Donmar Warehouse’s critically acclaimed, sold-out production of Academy Award® winner Christopher Hampton's Les Liaisons Dangereuses. Re-imagined by Olivier Award nominee and Donmar Artistic Director Josie Rourke, this sensational staging breathes a bold new passion into one of the theater’s most provocative and intriguing plays. Evening Standard calls it "Theatre at its most seductive and sinister. Five stars!"

A tale of sex, power and betrayal, Les Liaisons Dangereuses begins with two ex-lovers who scheme to ruin the reputation of an innocent young aristocrat. As their game of manipulation becomes more intricate, they quickly discover that the stakes are higher than they bargained for… and their last encounter may be their most dangerous by far. 

PERFORMANCE SCHEDULE:
TUESDAY & THURSDAY @ 7 PM
WEDNESDAY, FRIDAY & SATURDAY @ 8 PM
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM
BroadwayPlay - Drama
Show Notes: 1 Intermission
Age Guidance: 16
Audience Advisory: Adult themes & language.

TDF Tickets Offers:

TDF Member tickets:

Not currently available for this show

Listed at

Never

Full-price tickets:

$77.00 - $149.00

Lottery & Rush

The show will offer a limited number of $40 rush tickets at the Booth Theatre, beginning at the opening of the box office each day. There is a limit of two tickets per customer. Tickets are non-transferable, subject to availability and may be partial view. Cash or credit cards will be accepted for rush tickets.

Video

Reviews

  • As personified in a blazing performance by Janet McTeer — her voice like velvet and her physical bearing a cloak of studied artifice encasing a flesh and blood woman of ferocious cunning — there’s never cause to doubt her claim. Her accomplice-turned-opponent in their games of cruel conquest is a different matter. But even if Liev Schreiber is ill-suited for the part of the “conspicuously charming” Vicomte de Valmont, Josie Rourke’s evocative staging provides a compelling portrait of a dissolute aristocracy on the brink of devouring itself.

    ---Hollywood Reporter
  • But while director Rourke’s casting seems a bit bizarre, her staging is superb. Scene changes are especially eye-catching, with gorgeously costumed extras gliding on and off, humming to themselves. Aside from beautifying the scene, their underlying purpose is to gradually strip the set of its splendid furnishings, until at the end all that’s left is an empty canvas hanging on the wall to signify the empty lives of the characters.

    ---Variety
  • As personified in a blazing performance by Janet McTeer — her voice like velvet and her physical bearing a cloak of studied artifice encasing a flesh and blood woman of ferocious cunning — there’s never cause to doubt her claim. Her accomplice-turned-opponent in their games of cruel conquest is a different matter. But even if Liev Schreiber is ill-suited for the part of the “conspicuously charming” Vicomte de Valmont, Josie Rourke’s evocative staging provides a compelling portrait of a dissolute aristocracy on the brink of devouring itself.

    ---Hollywood Reporter
  • But while director Rourke’s casting seems a bit bizarre, her staging is superb. Scene changes are especially eye-catching, with gorgeously costumed extras gliding on and off, humming to themselves. Aside from beautifying the scene, their underlying purpose is to gradually strip the set of its splendid furnishings, until at the end all that’s left is an empty canvas hanging on the wall to signify the empty lives of the characters.

    ---Variety

Accessibility

  • Box Office

    Ticket Lobby. Counter 43". Accessible pass-through with writing shelf at 32". Assistance available.
  • Parking

    Lot: North side of streetbetween Broadway & 8th Ave. Vans enter on 46th St.Garage: East of Shubert Alley on south side of 45th St. between Broadway & 8th Ave. No vans.
  • Curb Ramps

    (2.5" lip) SW corner of 45th St. & Broadway; NW corner of 45th St. & Broadway.
  • Restroom

    Unisex: House left at orchestra rear crossover aisle. ADA compliant. Door 32". Stall 62"x139". Commode 18". Grab bars.
  • Seating

    Orchestra on ground level. Mezzanine and lower lounge reached only by stairs. seats 781.
  • Elevator/Escalator

    There are no elevators or escalators at this theatre.
  • Telephone

    Ticket lobby. Coin slot 54". Cord length 30". Volume control. With TTY and electric outlet.
  • Entrance

    Double doors in series:1st set (each 27") has one pair of automatic doors from Shubert Alley to Ticket Lobby with push-button control; 2nd set (each 29", attended by ushers) to inner lobby; 3rd set (one at 31.5", two at 28.5", attended by ushers) into Orchestra.
  • Folding Armrests

    Eight row-end seats with folding armrests, ask for mobility seats when booking.
  • Water Fountain

    Inner lobby. Spout 36".
  • Assisted Listening System

    Reservations are not necessary. Drivers license or ID with printed address required as a deposit.
  • Wheelchair Info

    Seating is accessible to all parts of the Orchestra without steps. Five ADA compliant viewing locations with companion seating. Transfer optional. ADA seats priced at regular orchestra and also at lowest price in the theatre.

TDF Social Feed

TDF
TDF3 days ago

Blending horror, humor, and a pulsing ‘80s rock score, The Lost Boys takes flight as a bold new stage adaptation of the cult classic film. With high-flying theatricality and a...

tdfnyc3 days ago
Blending horror, humor, and a pulsing ‘80s rock score, The Lost Boys (@lostboysmusical) takes flight as a bold new stage adaptation of the cult classic film. With high-flying...
tdfnyc4 days ago
“It has that same essence, only we’re doing it in front of 1,700 people a night instead of 50.” - Longtime @titaniquemusical cast member @thejohnriddle says of the #Broadway production. The...
TDF
TDF4 days ago
Titanique, The Musical director-cocreator Tye Blue and longtime cast member John Riddle talk to TDF Stages about their voyage on the shtick of dreams 🚢
TDF
TDF5 days ago

Gavin Creel wasn’t just a beloved Broadway performer, he was also an accomplished songwriter. Check out his humorous tribute to the art of appreciating art for free on The Metropolitan...

tdfnyc1 week ago
“I think one of the great things about TDF is it democratizes theatre.” For Francis Jue, seeing theatre didn’t just shape his career, it taught him how to be human....
tdfnyc1 week ago
TDF teamed up with the new Broadway musical Beaches for a special Best Friends Night, bringing real-life pals together to celebrate the power of friendship. From confidantes of just a...
TDF
TDF1 week ago
We had an amazing time at the TDF Autism Friendly Performance of Buena Vista Social Club! Thank you all for joining us.
tdfnyc1 week ago
From the TDF Costume Collection to Schmigadoon! McKenzie Kurtz shares her excitement about wearing a piece from the @tdfcostumecollection as Betsy in this new Broadway musical comedy. Happy opening night...
tdfnyc2 weeks ago
“Can I say that she is my muse? Because she is. Her voice started to get in my head, so much so that whenever I would hit a bump in...
TDF
TDF2 weeks ago

“To have that very specific unicorn of a voice is such a gift to a writer, and then such a gift to an audience when she delivers her brilliance.” –...

TDF
TDF
TDF2 weeks ago

TDF's FREE Young Playwrights Summer Program is currently seeking applicants! Rising high school juniors and seniors as well as spring 2026 graduates from NY, NJ and CT are eligible. Sessions...