Moulin Rouge! The Musical

First Preview: Jun 28, 2019

Opening Date: Jul 25, 2019

Closing Date: Aug 30, 2026

Running Time: 02:35

https://moulinrougemusical.com/new-york/home/

Playing @

Al Hirschfeld Theatre

302 West 45th Street, New York City, NY 10036

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Pop the champagne, Moulin Rouge! The Musical is the winner of 10 Tony Awards—including Best Musical!

Enter a world of splendor and romance, of eye-popping excess, of glitz, grandeur and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to Moulin Rouge! The Musical! Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom and—above all—Love. With a book by Tony Award winner John Logan; music supervision, orchestrations and arrangements by Tony Award winner Justin Levine; and choreography by Tony Award winner Sonya Tayeh, Moulin Rouge! is more than a musical—it is a state of mind.

Broadway Musical

Show Notes: 1 Intermission

Age Guidance: 13

Audience Advisory: The show contains flashing lights, strobe lights, confetti cannons, and fog. There is also loud bass and subwoofers used at times.

Cast

Kelsie Watts
Christian Douglas
Aaron Tveit
André Ward
Ricky Rojas
David Harris
Eric Anderson

Book

John Logan

Director

Alex Timbers

Choreographer

Sonya Tayeh

TDF Tickets Offers:

Listed at

Occasionally

See TKTS Live

Full-price tickets:

$54.61 - $333.21

Buy Tickets

Lottery & Rush

Digital Lottery: $47.50 per ticket. Visit luckyseat.com for more information and to enter.

Video

Reviews

The Broadway exclamation point — once a marquee staple, later an overused joke — makes a roaring comeback with “Moulin Rouge!” This new musical, based on the Baz Luhrmann movie set in and around the fabled Parisian nightclub of the title, certainly earns its breathless punctuation mark. How eager is this show to dazzle and daze us into submission? Well, consider that the confetti gun, usually used to send the audience home in a festive mood, comes out near the top of the first act, spraying silver and gold paper out into the audience. (Fear not, if you find yourself disappointingly unbedazzled: It’s brought out later for an encore.)

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Once the Insta-orgy dies down, director Alex Timbers (late of Beetlejuice) draws us into the action instantly with the irresistible French-tinged anthem “Lady Marmalade.” If you’re a fan of Luhrmann’s movie, you’ll surely recall the chart-topping soundtrack cover by Christina Aguilera, Lil’ Kim, Mya, and Pink. If you don’t know the film, you might remember Patti LaBelle singing the original disco-funk version and the then-controversial lyric “Voulez-vous coucher avec moi ce soir.” This is our welcome to the Moulin Rouge: It’s where “sparkling diamond” Satine descends from the ceiling to perform; it’s where Christian first glimpses and falls desperately in love with her; it’s where the Duke of Monroth (Tam Mutu) decides he must possess her; it’s where painter Toulouse-Lautrec (Sahr Ngaujah), Christian, and tango dancer Santiago (Ricky Rojas) plan to produce their Bohemian Rhapsody. And it’s all presided over by ringmaster/emcee Harold Zidler (six-time Tony nominee and character actor extraordinaire Danny Burstein): “Welcome, you gorgeous collection of reprobates and rascals, artistes and arrivistes, soubrettes and sodomites,” he proclaims with a deliciously lewd grin.

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Baz Luhrmann's playfully postmodern riff on the Hollywood movie musical set in fin de siècle Paris gets amped up for the stage, with Karen Olivo and Aaron Tveit stepping into roles played onscreen by Nicole Kidman and Ewan McGregor. Moulin Rouge! was Baz Luhrmann at his most brashly baroque, a shameless pop-cultural magpie molding equal parts kitsch, cool and cliché into a rhapsodic dream. The giddy 2001 screen collision of soaring romance and dazzling artifice helped resuscitate the movie musical. Stage director Alex Timbers and the creative team on this delirious theatrical reinvention take those Luhrmann impulses and run with them, crafting a gaudy and gorgeous jukebox pastiche in which eye-popping spectacle, off-the-charts energy and almost non-stop musical mashups provide the plush padding for a featherweight plot.

The show is A LOT, in every sense, both intoxicating and exhausting in its unrelenting visual and sonic assault. But it virtually defies you not to be entertained.

Read More
The Broadway exclamation point — once a marquee staple, later an overused joke — makes a roaring comeback with “Moulin Rouge!” This new musical, based on the Baz Luhrmann movie set in and around the fabled Parisian nightclub of the title, certainly earns its breathless punctuation mark. How eager is this show to dazzle and daze us into submission? Well, consider that the confetti gun, usually used to send the audience home in a festive mood, comes out near the top of the first act, spraying silver and gold paper out into the audience. (Fear not, if you find yourself disappointingly unbedazzled: It’s brought out later for an encore.)

Read More

Accessibility

Restroom

There is a unisex, wheelchair accessible restroom located House Left, under the stairwell.
Entrance

There are no steps into the theatre from the sidewalk.
Assisted Listening System

Audio induction neck loops and infrared headsets are available to enhance sound and dialogue. If an assistive device would help you enjoy the show, please visit the headset booth in the lobby corridor. There is no charge, but a valid photo ID is required as a deposit.
Wheelchair Info

Wheelchair seating available in orchestra only. Six (6) wheelchair locations are available at every performance.
Elevator/Escalator

None
Visual Assistance

Low vision seating is regularly available in the 3rd row, center section.
Folding Armrests

Removable armrests are available on six (6) chairs in the theatre.
Water Fountain

Water fountains are located in the mezzanine, the Ladies' Lounge, and the rear orchestra. There are no stairs to the water fountain in the rear orchestra.

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