Show Finder
From Trinity to Trinity
First Preview: Sep 25, 2025
Opening Date: Sep 28, 2025
Closing Date: Oct 5, 2025
Running Time: 00:45
Playing @
HERE
145 6th Ave, New York, NY 10013
On August 9th, 1945, fourteen-year-old schoolgirl Kyoko Hayashi was sent to work at the Mitsubishi Munitions Factory and miraculously survived the blast only to endure radiation sickness and its painful after-effects for the next 73 years. Hayashi started writing in 1962 and became a leading literary voice for the Hibakusha, those who survived the bombings of Hiroshima and Nagasaki. She published dozens of books, articles, stories and poems and won multiple literary awards.
Her moving autobiographical short work, From Trinity To Trinity, about her 1999 pilgrimage to Trinity Site in New Mexico, where the atomic bomb that would define her life was first tested, was published in 2000 and translated into English by Eiko Otake of the performance artist duo Eiko & Koma. In 2009, Eiko reached out to the NY-based actress Ako (Shogun, God Said This, founder of Amaterasu Za) suggested she perform it as a one-person play. They say that those who cannot remember the past are condemned to repeat it, but how you remember the past and whose eyes you are seeing it through are just as important.
In this, the 80th anniversary year of the 1945 atomic bombings in Hiroshima and Nagasaki, which coincides with the anniversary of the liberation of the Nazi death camps throughout Germany that same year, we are reminded of humanity’s boundless capacity for cruelty and destruction. Those who survived these catastrophes came away with perspectives that some expressed in art and others in literature or advocacy. Their voices were powerful, and they deserve to be heard and even amplified again and again in this time when the news, sadly, seems to be filled once again with stories of violence, indifference and nationalism.
Her moving autobiographical short work, From Trinity To Trinity, about her 1999 pilgrimage to Trinity Site in New Mexico, where the atomic bomb that would define her life was first tested, was published in 2000 and translated into English by Eiko Otake of the performance artist duo Eiko & Koma. In 2009, Eiko reached out to the NY-based actress Ako (Shogun, God Said This, founder of Amaterasu Za) suggested she perform it as a one-person play. They say that those who cannot remember the past are condemned to repeat it, but how you remember the past and whose eyes you are seeing it through are just as important.
In this, the 80th anniversary year of the 1945 atomic bombings in Hiroshima and Nagasaki, which coincides with the anniversary of the liberation of the Nazi death camps throughout Germany that same year, we are reminded of humanity’s boundless capacity for cruelty and destruction. Those who survived these catastrophes came away with perspectives that some expressed in art and others in literature or advocacy. Their voices were powerful, and they deserve to be heard and even amplified again and again in this time when the news, sadly, seems to be filled once again with stories of violence, indifference and nationalism.
Show Notes: Performed in English with Japanese subtitle translation.
Performance Schedule
TUESDAY-FRIDAY @ 7 PM
SATURDAY @ 2 PM & 7 PM
SUNDAY @ 2 PM
Cast
- Ako
Written By
- Kyoko Hayashi
- translated by Eiko Otake
TDF Tickets Offers:
TDF Member tickets:
Not currently available for this show
Listed at 
Never
Full-price tickets:
$10.50 - $31.50
Accessibility
-
Wheelchair Info
Removable seating. -
Seating
Mainstage seats 99 / Dorothy B. Williams Theatre Seats 74. -
Elevator\Escalator
There is an elevator that takes you to the lower level thatre. -
Curb Ramps
Yes -
Entrance
Houses two performance spaces - the 99-seat Mainstage and the 74-seat Dorothy B. Williams Theatre (down one flight of stairs); art galleries, and a café. The building entrance is street level -
Restroom
Located on both levels -
Water Fountain
There is a cafe -
Telephone
None -
Assisted Listening System
Some hearing aids. -
Visual Assistance
None -
Folding Armrests
None








