Hiroshi-Me-Me-Me is a comedy of obsession by Natalie Menna about three people who frequent a coffee shop in Manhattan. The play is an object lesson for modern women on how not to handle yourself in romance, to wit: never think about whether your relationship is worth continuing or not, never tell the other person (or people) how you honestly feel and how you want to move forward, and never to learn from the experience by paying attention to where your feelings come from.
Most of the play shows us the embers of a short-lived affair between an imaginative woman, Roberta, and the man who is fleeing her, Hiroshi. It’s clear that Roberta’s self-absorbed delusions have sent both this boyfriend and her best friend, Sarah, running for the door. Roberta’s fixation with the ever-elusive Hiroshi dominates all aspects of her life and causes crazy conflicts with her just-jilted BFF. Hiroshi is spinning both of them like a yo-yo in each hand, and unforeseen events jeopardize these already all-too complicated relationships. Does Hiroshi deserve all this devotion? As Roberta twists on the line that binds her to this man, the audience gets to savor the demands she lays out to pin him down with. The fun of the comedy is the banter of the three characters and the bittersweet, comic hopelessness of Roberta’s obsession.
