Show Details
The Terms Of My Surrender
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The Terms Of My Surrender

Jul 28, 2017 - Oct 23, 2017
Running time: 2:15
PLAYING @
Belasco Theatre
111 W 44th St
New York, NY 10036
PUBLIC TRANSPORTATION
By Subway: A, C, E, N, Q, R, 1, 2, 3 To 42nd Street, walk North to 44th Street, east to theatre. Alternatively, take the B, D, or F - To 42nd Street at 6th Ave then walk North to 44th Street, west to theatre.
By Bus: Five buses stop near the Belasco Theatre. Please take the M5, M7, M20, M42, or M104
Show Description:

Director

Michael Mayer

Written By

Michael Moore

TDF MEMBER TICKETS:
AVAILABLE
Listed at TKTS:
Frequently
See TKTS Live
FULL-PRICE TICKETS
$29.00 - $149.00
prices subject to change
Buy Tickets

ADDITIONAL INFO

Rush
A limited quantity of $35 rush tickets will be sold each performance day when the box office opens The box office opens at 10 AM each day from Monday through Saturday and 12 PM on Sundays, beginning August 20. There will be a limit of two tickets per customer and tickets can be purchased in-person only, by cash or credit card.  Seat locations will be at the discretion of the box office and based on availability.
Age Guidance: 13
Show Notes
No Intermission

ACCESSIBILITY INFO

Wheelchairs
Wheelchair seating available. Theatre is not completely wheelchair accessible. There are no steps to the designated wheelchair seating location.
Seating
Seats 1018. Orchestra has no steps. Mezzanine: Located on 2nd level, up 1 flight of stairs. Once on the Mezzanine level, there are approximately 2 steps up/down per row. Entrance to Mezzanine is behind row H. Balcony: No elevator, stairs only. Once on the Balcony level, there are approximately 2 steps up/down per row. The entrance to the Balcony is behind row F.
Elevator\Escalator
There are no elevators or escalators at this theatre.
Parking
The closest parking lot is Meyer Parking at 146 West 44th Street.
Entrance
There are two steps into the theatre from the main entrance. An alternate entrance with an accessible path of travel is located to the left of the main door.
Box Office
Lowered accessible window at the end of the box office.
Restroom
Wheelchair accessible restroom is available. Additional restrooms are also located down one flight of stairs, and on the mezzanine and balcony levels.
Water Fountain
A water fountain is available in the main lobby.
Telephone
A pay phone is located in the theatre lobby. Accessible at 54"
Assisted Listening System
Reservations are not necessary. Drivers license or ID with printed address required as a deposit. Please call: (212) 582-7678 to reserve in advance.
Folding Armrests
There are four (4) seats with folding armrests in this theatre.

VIDEOS

REVIEWS

Moore — the controversial, baseball cap-wearing political activist, documentary filmmaker (“Bowling for Columbine,” “Fahrenheit 9/11”) and author (“Stupid White Men”) — famously predicted that Trump would win the election. His Flint, Michigan, background apparently gave him insight into the cultural forces that would propel Trump’s surprise victory. In any event, the show (which runs just under two hours, without intermission) is a fun and freewheeling night of theater for Moore’s fans and anyone else who wants to attend. Read More of the amNewYork Review
Michael Moore’s solo show, “The Terms of My Surrender,” comes as close to being a campaign rally as anything you are likely to see on Broadway – or anywhere else, for that matter, save an actual one. And yet this shaggy but enjoyable evening, an autobiographical solo show spliced with a rabble-rousing call to arms against the reigning political regime, contains more surprises – and more funny diversions – than I expected. Read More of the Broadway News Review
If your liberal heart is mighty sore, if no amount of strongly-voiced castigation and disapproval of President Trump is too much, then documentary-maker Michael Moore's The Terms of My Surrender is for you. Left-wing politics has come overtly and brashly to Broadway-the only things missing are Trump piñatas to bash the hell out of at intermission. Read More of the Daily Beast Review

ARTICLES

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