The TDF Sweepstakes is open. Enter now!

Podcasts with America's seminal directors and choreographers

Enjoy rare insights into how theatre is made with this podcast interview series produced by Stage Directors and Choreographers Workshop Foundation (SDCF) and co-presented by TDF. Browse three decades of priceless one-on-one conversations and panel discussions with distinguished theatre and dance luminaries.

Translate Page

Gregory Mosher

Date: May 25, 1988


Facebook Twitter
In May of 1988, Peter Van Zandt moderated a talk with director and Lincoln Center Theatre artistic director Gregory Mosher, just weeks after the opening of the Broadway production of David Mamet's Speed-the-Plow. In a conversation that focuses on Mosher's longstanding relationship with Mamet, and Mosher's leadership of Lincoln Center Theater since 1985, topics include Mosher and Mamet's first meeting in Chicago in 1974; the ambiguity of Speed-the-Plow; Mamet's preference for working with the same company of actors and Mosher's desire to open up the casting to a broader range of actors, including the casting of stage neophyte Madonna in her Broadway debut; the issues involved in releasing an actor; why Mosher loves producing perhaps more than directing; how the then-new Lincoln Center membership model compares with the classic theatrical subscription model; whether he believes Lincoln Center Theater should have a resident acting company, as it did when the Vivian Beaumont opened in the 1960s; the process of moving Sarasin!; and what he had learned from his new partner at LCT, Bernard Gerstein.