The TDF Sweepstakes is open. Enter now!

Podcasts with America's seminal directors and choreographers

Enjoy rare insights into how theatre is made with this podcast interview series produced by Stage Directors and Choreographers Workshop Foundation (SDCF) and co-presented by TDF. Browse three decades of priceless one-on-one conversations and panel discussions with distinguished theatre and dance luminaries.

Translate Page

Robert Whitehead and Brian Clark

Date: Apr 01, 1986

Share:

Facebook Twitter
In April of 1986, the day after their play The Petition, staring Hume Cronyn and Jessica Tandy, began its short lived run on Broadway, writer/producer Brian Clark and producer/director Robert Whitehead sat down with colleague Robert Pesola to discuss bringing serious work to Broadway. The two frame the discussion somewhat ominously; beginning by acknowledging that in the 80's bringing a serious play to Broadway is somewhat of a "deadly" prospect. They cover the state of the theatre in America and the dearth of talented professional playwrights due to the draw of film and television. They candidly discuss the relevance of critics from the New York Times and their influence on the success of a show. Whitehead talks about theatre as a dicey investment and his methods for securing funds to produce shows. The pair concludes by demystifying the concept of a "Golden Age" of American theatre, explaining that in this industry there is always hardship. But, they resolutely maintain that even (and especially) in times of distress the theatre will and must go on.