Show Finder

Arthur Miller's The Crucible.

First Preview: Feb 8, 2016
Opening Date: Mar 1, 2016
Closing Date: Jul 17, 2016
Running Time: 02:45
Arthur Miller's The Crucible.

Share on Social Media

Playing @
Walter Kerr Theatre
219 W 48th St, New York, NY 10036
Arthur Miller's The Crucible returns to Broadway in a new production directed by the acclaimed Belgian director Ivo van Hove.

Set during the Salem witch trials of the 1690s, The Crucible is a timeless parable of morality, a scorching indictment of intolerance, and a central work in the canon of American drama. 

PERFORMANCE SCHEDULE:
TUESDAY & THURSDAY @ 7 PM
WEDNESDAY, FRIDAY & SATURDAY @ 8 PM
WEDNESDAY & SATURDAY @ 2 PM
SUNDAY @ 3 PM
BroadwayPlay - Drama
Show Notes: One Intermission
Age Guidance: 13
Audience Advisory: THERE IS NO LATE SEATING.

TDF Tickets Offers:

Listed at

Never

Full-price tickets:

$42.00 - $149.00

Lottery & Rush

A limited number of $35 lottery tickets are available for each performance

Video

Reviews

  • The Devil has returned to Broadway, with the power to make the strong tremble. It is time to be afraid, very afraid, of a play that seemed perhaps merely worthy when you studied it in high school English class.The director Ivo van Hove and a dazzling international cast — led by Ben Whishaw, Sophie Okonedo, Saoirse Ronan and Ciaran Hinds — have plumbed the raw terror in Arthur Miller’s “The Crucible,” which opened on Thursday night at the Walter Kerr Theater. And an endlessly revived historical drama from 1953 suddenly feels like the freshest, scariest play in town.

    -----New York Times
  • I think the mistake critics and teachers often make about The Crucible is that they read it like a novel, and sometimes it’s staged that way, all bonnets and doublets. Van Hove sweeps all that away, letting us feel more strongly the role the play’s overwhelming structural brilliance plays in locking us down. It’s not that Miller isn’t interested in characters, it’s that he sees society as a kind of Über-character, and not a very magnanimous one. (HUAC revoked his passport to attend the play’s 1954 London opening.) The result isn’t medicinal, it’s terrifying, when done right. This is the first production of The Crucible I’ve seen in which the devil, which is to say us collectively, is really given his due.

    -------Vulture
  • Van Hove is the master of visually arresting moments: The alarming third-act opening will have audience members clinging to their seats, eyes glued to the stage. That same act concludes with a gale force. Unfortunately, the beats between these set pieces often seem neglected. When the director does intercede, it regularly comes off as stagey, as when the advisers of the court vigorously circle Danforth, like flies on rotting fruit. This may be van Hove's way of dressing up Miller's overwrought dialogue and uneconomical plot development, which causes even the strongest mountings of this play to sag. This is the best production of The Crucible I've ever seen. It is by no means a perfect drama, but as long as a crusading morality is a part of our national character, it seems destined to continue punching audiences in the gut. 

    ------TheaterMania
  • The Devil has returned to Broadway, with the power to make the strong tremble. It is time to be afraid, very afraid, of a play that seemed perhaps merely worthy when you studied it in high school English class.The director Ivo van Hove and a dazzling international cast — led by Ben Whishaw, Sophie Okonedo, Saoirse Ronan and Ciaran Hinds — have plumbed the raw terror in Arthur Miller’s “The Crucible,” which opened on Thursday night at the Walter Kerr Theater. And an endlessly revived historical drama from 1953 suddenly feels like the freshest, scariest play in town.

    -----New York Times

Accessibility

  • Box Office

    Outer lobby. Counter 41".
  • Curb Ramps

    NW corner of 48th St. & Broadway; NE corner of 48th St. & 8th Ave., and just west of entrance.
  • Restroom

    Accessible restroom located House Left, under the stair well. Womens: Up nineteen steps from orchestra.Mens: Up eighteen steps from orchestra.
  • Elevator/Escalator

    None
  • Telephone

    A cellular telephone is available free of charge to patrons with disabilities.
  • Entrance

    Double doors in series: 1st set (each 23", heavy) to outer lobby; 2nd set (each 26", heavy) into orchestra.
  • Visual Assistance

    Vision/Hearing Accessible seating is located in the middle of Orchestra Center Row D, the second row from the stage.
  • Water Fountain

    Water available from bar
  • Assisted Listening System

    Reservations are not necessary. Drivers license or ID with printed address required as a deposit. Please call: (212) 582-7678 to reserve in advance.
  • Wheelchair Info

    Wheelchair seating is in the Orchestra only.

TDF Social Feed

tdfnyc2 days ago
A look back at our 2026 TDF Wendy Wasserstein Project End-of-Year Celebration! Students, mentors and teachers shared moving reflections about how the program has shaped their lives and creative journeys....
TDF
TDF6 days ago
Matthew Morrison at 54 Below, Summerfolk from National Theatre, National Yiddish Theatre Folksbiene' Amid Falling Walls and more are available to stream this weekend.
TDF
TDF7 days ago

In our latest interview, “Tempress” Chasity Moore, Garnet Williams and Teddy Wilson Jr. reflect on their journeys to Broadway, the impact of representation and the future they hope to help...

tdfnyc7 days ago
Tony Award winner Debbie Gravitte and her son, Sam Gravitte, are spending the summer performing just four blocks apart in NYC. Read our conversation about family, theatre, and the special...
tdfnyc1 week ago
In our latest interview, “Tempress” Chasity Moore, Garnet Williams and Teddy Wilson Jr. reflect on their journeys to Broadway, the impact of representation and the future they hope to help...
TDF
TDF2 weeks ago
Staying inside to beat the heat? Catch these 🎭 Our top 5 picks for stage performances to stream this holiday weekend, no sunscreen required.
tdfnyc2 weeks ago
July is Disability Pride Month! This annual event commemorates the signing of the Americans with Disabilities Act (ADA) on July 26, 1990, which prohibits discrimination based on disability and helps...
tdfnyc2 weeks ago
What began as an unexpected collaboration has become an acclaimed new play. We spoke with playwright Eliya Smith and actor Amalia Yoo about “Dad Don’t Read This”, creative trust, and...
tdfnyc3 weeks ago
Catch a new musical with a Tony nominee, a two-hander with two TV stars, a Planet of the Apes parody and more—all for $40 or less this summer! Read our...
TDF
TDF
TDF3 weeks ago

Tomorrow is the last day of NYC public school, so it's the perfect moment to revisit this year’s Grad Gift celebration! Last month, TDF treated more than a thousand 2026...

tdfnyc3 weeks ago
TDF treated more than a thousand 2026 grads to a fabulous and FREE trip to Broadway’s CATS: The Jellicle Ball! 🐱 Every year, TDF gives NYC public and charter high...
TDF
TDF1 month ago
TDF's ticketing system is down for an upgrade. We will be up and running shortly.
tdfnyc1 month ago
CATS: The Jellicle Ball co-director Zhailon Levingston shared what he hopes audiences take away from the production during Pride Month and beyond. “If you can’t find this kind of queer...
tdfnyc1 month ago
Lucky 15–that’s how many Broadway shows are currently on TDF! Act quickly—show availability changes frequently, and tickets can go fast. Visit TDF to see all 15 shows currently on membership.
tdfnyc1 month ago
Words of wisdom from Tony-winner Joshua Henry! “What is for you cannot pass you by.” #broadway #tonyawards #joshuahenry
tdfnyc1 month ago
“The win was just getting to do it.” After winning her first Tony Award, Caissie Levy reflected on why being part of the Broadway community has always felt like a...
tdfnyc1 month ago
Tony-winner Ali Louis Bourzgui on the importance of using his platform for activism. “My activism only comes from being an empathetic person, which is what you need as an artist.”...
TDF
TDF1 month ago

Thanks so much for sharing the Tony Awards with us tonight! The biggest surprise may be what a fantastic host P!NK was (though we never doubted her... yet others did)....

TDF
TDF1 month ago
And Schmigadoon wins Best Musical!
TDF
TDF1 month ago
And an award that was essentially a given: Joshua Henry as Best Actor in a Musical for his gorgeous performance in Ragtime.
TDF
TDF1 month ago
Ragtime is picking up some big awards! Caissie Levy just won for Best Actress in a Musical. Maybe they'll extend (again)?
TDF
TDF1 month ago
So glad The Book of Mormon had a moment to celebrate its 15th anniversary on Broadway, especially after that awful fire. Gives new meaning to the show much go on!
TDF
TDF1 month ago
Death of a Salesman wins Best Revival of a Play. Amazing it's been revived on Broadway twice SINCE the pandemic. And such incredibly different productions.
TDF
TDF1 month ago
I suspect every musical-loving adolescent will be begging for The Lost Boys tickets after that number!!