Even Smart People Get Tongue-Tied About Race
By ELIZA BENT
Friday, February 05, 2016  •   Playwriting  •    0 comments Share This
Fri Feb 5, 2016  •   Playwriting  •    0 comments Share This
Lydia Diamond's ponders the impact of Obama's presidency --- As she's discussing her play Smart People -- now at Second Stage – Lydia Diamond pauses in the middle of a thought to describe the scene around her. Talking on the phone, she says, "I'm in a hotel lobby, and a blond woman just walked by with her little girl, and the girl was holding...
Jane Austen's Characters: Living, Breathing, Sweating
By MARISA COHEN
Thursday, February 04, 2016  •   Off-Broadway  •    0 comments Share This
Thu Feb 4, 2016  •   Off-Broadway  •    0 comments Share This
Inside Bedlam's lively take on Sense & Sensibility --- The creators and stars of Bedlam's Sense & Sensibility are well aware that Jane Austen fans, a notoriously devoted and opinionated group, are going to bring a very critical eye to their adaptation of her beloved novel. As points of comparison, there are already plenty of other interpretations...
If You're a Dog, Can You Ever Stop Wanting to Hunt?
By LYNDA PAUL
Wednesday, February 03, 2016  •   Playwriting  •    0 comments Share This
Wed Feb 3, 2016  •   Playwriting  •    0 comments Share This
A new play uses animals and humans to question our power to change --- To what extent are we capable of "resisting our givens"—of fighting the conditions inscribed in our very DNA? Jen Silverman is obsessed with this question. That's obvious in her play The Moors, now at Yale Repertory Theatre. Set on a looming British landscape, where the...
A Virtual Vacation of Desire and Death
By RAVEN SNOOK
Tuesday, February 02, 2016  •   Borough Play  •    0 comments Share This
Tue Feb 2, 2016  •   Borough Play  •    0 comments Share This
Third Rail Projects ups its game with its latest immersive theatre experience --- "Next time, I'll make sure you get more sex and less death," promises Third Rail Projects' Tom Pearson after my night spent exploring The Grand Paradise. Like the theatre company's long-running, Alice in Wonderland-inspired Then She Fell, its new interactive show takes...
Our Town Has Room for Our World
By MARK BLANKENSHIP
Monday, February 01, 2016  •   Off-Off-Broadway  •    0 comments Share This
Mon Feb 1, 2016  •   Off-Off-Broadway  •    0 comments Share This
A new play riffs on Thornton Wilder's classic --- We all live in multiple worlds at once. Our families, our friends, our co-workers, our neighbors, our fellow passengers on the subway car – every group we belong to or pass through places its own frame around our experience of the day. Then there's the world inside our head, where no one but...
Sometimes I Review Plays, Sometimes I'm In Plays
By SANDY MACDONALD
Friday, January 29, 2016  •   Acting  •    0 comments Share This
Fri Jan 29, 2016  •   Acting  •    0 comments Share This
Why one theatre critic jumps at every opportunity to perform onstage --- It is a truth universally acknowledged that a critic in possession of an ax to grind must be in want of a spotlight. Yes, I'm mangling Jane Austen, but you get the idea: The common perception is that a great many critics are performers manqués. Having failed to cut a swath...
You Know You're Sick When You're Bleeding Guacamole
By GAVIN WHITEHEAD
Thursday, January 28, 2016  •   Playwriting  •    0 comments Share This
Thu Jan 28, 2016  •   Playwriting  •    0 comments Share This
A new play pokes fun at medical paranoia --- In October of 2014, Miranda Rose Hall was briefly convinced she was about to die, and that's when she got the inspiration for her latest play. The seeds of the script were planted earlier that year when Ebola began ravaging West Africa. Hall knew she wanted to address the outbreak, but she wasn't sure...
Can Dance and Drama Embody a Religious Movement?
By FRANK RIZZO
Wednesday, January 27, 2016  •   Dance  •    1 comment Share This
Wed Jan 27, 2016  •   Dance  •    1 comment Share This
Martha Clarke and Alfred Uhry turn the religious order into dance-theatre --- At first it looks like an odd coupling: Martha Clarke, the doyenne of evocative dance-theatre, and Alfred Uhry, the straight-ahead storyteller of works such as Driving Miss Daisy and Last Night at Ballyhoo. More than ten years ago, however, when they were both at a Thanksgiving...
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